Written & Compiled
by
Martin Thomas Buckingham

The Neutral Mask

The Neutral Mask and the body.

Learning Outcomes

To take risks and challenge their creativity.
Developing knowledge and understanding in controlling, applying and analysing the elements, skill, forms, style and techniques of drama to engage the audience and create meaning. 
Exploring and playing roles, imagining situations actions and ideas as drama makers and audience. 

(Sited in association with The Australian Curriculum; The Arts - Drama, Year 9-10 Rational and aims p4) 

Key knowledge and skills to achieve. 

Better understanding of the key learning topic area 'The Mask' in association with group devised improvisational performance. 


Introduction

Quickly - What protocol is there when working with a Mask? 
(Reinforce throughout the class)

Respect it
Don't touch it when performing -It breaks the illusion
Don't put it on when facing an audience. 
When you put it down place it face up.

Assuming Physical Expression    

Warm up - (With eyes closed as much as possible) 
All in a circle, lead stretches that end in a neutral body. 
Beginning with stance - back straight, chest lifted but not stuck out, feet hip width apart, back of the neck feeling a slight stretch. 

Masks on.

Focus - Standing meditation, an examination of physical self.

Begin with the slowing of breath, focus on breathing, to feel the air come in and out of the body. What space does it fill? When breathing, what muscles do you notice at work (this will help for later work on the voice)? 

Questions
 How am I standing?
Are my hands moving?
Does my head tilt to one side?
Am I putting more weight on one foot than the other? 

Encourage the students to balance any discrepancies. 

Task - wearing Masks: Create a scene, the sea, a rain forest or the Australian bush. Using a director / conductor to inform the performance, another student to create a sound scape and the remainder to perform. The performers can either interpreted as trees, the elements and or animals. 

Task 1 Lead in - The Sea

Introduction - 

Introduce the elements of the task; the director the performers and the sound scape. 

Questions - 
What is a sound scape? 
What could be the role of each of the mentioned elements in the performance?

Break the class into two. 
Group 1 will be the performers 
Group 2 the sound scape or orchestra. 

Explain the Task

Step 1
Establish performance edict.

To the Performers

Performers stand in a straight line at the back of the space facing away from the audience in neutral body. 
Wait for silence before beginning. 

The director/ teacher then asks for masks on. 
The performers turn slowly maintaining neutral body and to slowly enter the space. 
(Teachers suggestions to the players; explore the space, try not to stand in straight lines, think about levels, remain in neutral body until you reach your desired destination.) 

The performers then take up the role of sea weed. 


Step 2
Turn your attention to group 2. Briefly brainstorm ideas of what may be heard under the sea. Start with one sound effect and build up adding more and more. (Teacher suggestions; Try not cover the sound of another, use different rhythms and timing think about duration). 

Step 3 

Add the two elements together. Directing the happenings of the scene. 
(Teacher Suggestions; a light calm current, stronger now a typhoon tarring the sea up, calmer now etc. and freeze). 

Step 4 

Swap the groups over and repeat. 

Step 5 

Break the class into smaller groups consisting of 4-5 in each. 
The students now devise their own performances. 

Outline.

Select one scene: Australian Bush or Rain Forest. 
Decide on cast: 1 director, sound effects and performers. 

Perform the Group devised pieces. 

Resources

Block to create levels. 

Safety Concerns

Slipping, falling from blocks, high speed collision in a relatively small space. 

Action: always promote slow precise movement with intensity and purpose.